plant2 Documenting the west coast Nikkei experience [and beyond] from the viewpoint of a hapa Nikkei graphic designer, editor, photographer, taiko player & teacher.

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Chibi Taiko in Onomichi

IMG_2901There was a moment towards the end of the July 25 performance by Chibi Taiko and Onomichi’s Betcha Taiko that will be forever etched in my memory. The two groups were playing a piece together called Ishizue, an original Betcha composition that Chibi members had learned over the course of the past week. Night was falling as the nearly three dozen drummers filled the small public square in Onomichi’s shotengai (shopping district) with a thick wall of sound. The young Chibi drummers were playing with a ferocity and sense of purpose I had never witnessed before. As the piece drew to a conclusion, the drummers swooped low to the ground, their faces glistening with a combination of sweat and exhilaration. I was surprised at the emotion that welled up in me. A lump came to my throat as I watched the members of Chibi Taiko, including my two daughters, give everything they had to a common purpose in the true spirit of taiko. At that one moment, the members of the two groups—who shared a common heritage but little else—emphatically bridged the cultural divide.

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